Homo Electromagneticus II: Paradigms and Paradoxes
نویسندگان
چکیده
Homo Electromagneticus is a musical performance realized in 2022 through set of original instruments created with open-source and low-cost technologies. Arduino microcontrollers, sensors, brainwaves, MIDI, algorithms, the interaction plants’ capacitance provide digital, acoustic mechatronic sound production forms. Cognizant material energy dump that signature Anthropocene, piece thrives on commitment to conscientious responsible waste. Thus, addition instruments, I also utilized old bottles, kitchen tools, electronics equipment taken from dump, obsolete human gestures brain waves as research tools. reacts exclusivity digital production, choosing instead revitalize promote production. Thinking along Zielinski (2010), helps us consider art “after media,” meaning it foregrounds mediated electromagnetic interfaces. The technological aspect prevalent, but electric does not dominate work whole. relies emergence mix compositum which distinction between performer composer becomes blurred. Each requires players generate anew. Additionally, very definition “instrument” undergoes transformation since becomes, sense, necessary instrument piece.
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ژورنال
عنوان ژورنال: Performance philosophy
سال: 2023
ISSN: ['2947-5589', '2057-7176']
DOI: https://doi.org/10.21476/pp.2023.81411